October 2025
Exhibition Design
MDW Vienna
3 min read
With: Max Kure, Anton Posch

Sound of Insight

Designing a spatial experience translating research into multisensorial encounters at MDW Vienna.

Visitors exploring the Sound of Insight exhibition in the flowing hallways
© Daniel Willinger

The three pillars of universities

Universities operate on three fundamental pillars: Teaching, Research, and the third—often overlooked—pillar of building public understanding and communicating the craft they pursue. Sound of Insight was conceived to serve this essential third category, translating the complex research happening across MDW Vienna's institutes into an accessible spatial experience.

Opening night crowd at the Sound of Insight vernissage
© Daniel Willinger

The exhibition, curated by Stephan Polzer, opened as part of Foto Wien 2025, running from October to September, and aimed to provide insights into artistic and research practices from different institutes and labs around the university through the lens of audiovisual media and photography.


MDW Future Art Lab

The site selection was crucial to the exhibition's success. MDW's Future Art Lab offered a building whose hallways exist in a constant state of flow—staircases curve into round corners, open floor plans merge seamlessly, creating a dynamic architectural canvas that mirrors the fluid nature of research itself.

Curved staircase in the Future Art Lab showing the building's flowing architecture
© Daniel Willinger
Visitors gathered in the curved spaces of the exhibition
© Daniel Willinger

Within these flowing areas, we created layered information exchange hotspots, each focusing on a different topic from a different institution. The architecture itself became part of the narrative, with its organic geometry supporting the idea of research as a living, evolving practice.

A single visitor contemplating the exhibition materials in the curved hallway
© Daniel Willinger

Visual System

The Future Art Lab's existing monotonous color scheme presented both a challenge and an opportunity. We achieved visual clarity by implementing our own bold color coding system, with each research area distinguished by vibrant colors that stood in deliberate contrast to the building's neutral palette.

This approach created distinct zones of information while maintaining overall coherence throughout the space. The bold colors acted as wayfinding elements, guiding visitors through different research territories while maintaining the exhibition's unified identity.

Close-up of exhibition labeling showing the bold color-coding system
© Stephan Polzer

Typography

We selected Raster Grotesk as our primary typeface—a choice that embodied both the digital and the analogue, like soundwaves traveling through space, yet discrete like bits inside a machine.

This philosophy traveled through the entire exhibition, with rounded corners and bold colors creating a consistent visual language that unified all graphic elements while supporting the theme of research as limitless exploration.

Large directional arrow showing the Raster Grotesk typography and corner-rounded design approach
© Stephan Polzer

Media Setup

For the presentation of audiovisual works, we constructed three custom pedestals, each hosting a media player and screen for video presentations. A projector was strategically mounted to enable large-scale projection of information and research, creating moments of immersion within the flowing architectural space.

Isometric view of the custom media pedestals showing their integration into the space
© Daniel Willinger
Detail of the media setup with screen and projection equipment
© Daniel Willinger

The media infrastructure was designed to be unobtrusive yet effective, allowing the research content to take center stage while providing the technical foundation necessary for audiovisual presentations. Each station could operate independently while contributing to the overall exhibition narrative.


Overview

Sound of Insights emerged from a fundamental desire to translate research into spatial experience, reaching audiences on a multisensorial level. The challenge was: create an engaging exhibition within an operating hallway that needed to remain accessible during normal university operations.

We achieved this goal through graphic language, strategic audiovisual interventions, and excessive use of available wall space, all accentuated and guided by targeted lighting. The result was an exhibition that functioned both as an informational display and as a testament to the power of design to make complex research accessible and engaging.

Wide view of the Future Art Lab showing the complete exhibition installation
© Daniel Willinger

Credits

Inhaltliche Partner:
Alex Hofmann – Musikalische Akustik
Elsa Campbell – Musiktherapie
Malte Kob – Stimmforschung
Matthias Bertsch – Musikphysiologie
Axel Petri-Preis – Musikpädagogik
Caroline Heïder – Artistic Research
Jorge Sánchez-Chiong – Medienkomposition


Im Rahmen der Foto Wien 2025
Kuration: Stephan Polzer


Fotografien: Stephan Polzer, Caroline Heïder, Luisa Ricciarini u.a.
Ausstellungsdesign: Max Kure, Leo Mühlfeld, Anton Posch (LMGI)